1990-1994

Insertion (1990) Photographs of text and paintings mounted on painted board.

Each panel 30 cm x 25cm

The paintings and text constructed a fictionalised account of two paintings – one a C19th Century seascape and and the other a C19th orientalist painting. Both represented the sort of paintings commonly encountered in the museums and art galleries of northern English cities.

Exhibited: BA Fine Art Degree Show, Brighton Polytechnic, June 1990; Oldham Art Gallery, Greater Manchester, January – March 1991; There Is An Alternative, Temporary Contemporary London / International 3, Manchester, May – June / October – November 2005.

Insertion (1990). Sequence of photographs of text and paintings mounted on painted board, each panel 30cm x 25cm

The paintings and text sequence constructed a fictionalised account of two paintings – one a C19th Century seascape and and the other a C19th orientalist painting. Both represented the sort of paintings commonly encountered in the museums and art galleries of northern English cities.

Exhibited: BA Fine Art Degree Show, Brighton Polytechnic, June 1990; Oldham Art Gallery, Greater Manchester, January – March 1991; There Is An Alternative, Temporary Contemporary London / International 3, Manchester, May – June / October – November 2005.

Insertion (1990) Sequence of photographs of text and paintings mounted on painted board,

Each panel 30 cm x 25 cm

The paintings and text sequence constructed a fictionalised account of two paintings – one a C19th Century seascape and and the other a C19th orientalist painting. Both represented the sort of paintings commonly encountered in the museums and art galleries of northern English cities.

Exhibited: BA Fine Art Degree Show, Brighton Polytechnic, June 1990; Oldham Art Gallery, Greater Manchester, January – March 1991; There Is An Alternative, Temporary Contemporary London / International 3, Manchester, May – June / October – November 2005.

Insertion (1990). Sequence of photographs of text and paintings mounted on board,

each panel 30cm x 25cm

The paintings and text sequence constructed a fictionalised account of two paintings – one a C19th Century seascape and and the other a C19th orientalist painting. Both represented the sort of paintings commonly encountered in the museums and art galleries of northern English cities.

Exhibited: BA Fine Art Degree Show, Brighton Polytechnic, June 1990; Oldham Art Gallery, Greater Manchester, January – March 1991; There Is An Alternative, Temporary Contemporary London / International 3, Manchester, May – June / October – November 2005.

Keith Ball and Steve Rushton established Everything Magazine in 1992. From 1996 until its demise in 2002, it was co-edited by Steve Rushton, Luci Eyres and John Timberlake, who worked and exhibited together under the collective title 'everything Editorial'.

Microgramma (1992). Acrylic and instant lettering on paper, mounted on MDF panels,

The sequence of fragments and truncated text were derived from a found municipal leaflet on landscape painting. The font, Microgramma, was from municipal signage.

Exhibited at Centre 181 Gallery, a municipal gallery in Hammersmith, London,

January – March 1993.

BANK: Natural History (1993)

Each painting: 304cm x 457cm. Simon Bedwell, David Burrows John Russell, Milly Thompson, John Timberlake and Andrew Williamson.

Exhibited: August 1993 in a disused bus garage (now demolished) behind Kings Cross station, London.

Although the original intention had been to work collectively, the exhibition was reviewed as a group show of individual artists by Sarah Kent in Time Out 18/8/93.